Beetle, Bitter, Better: MinĂ© Okubo’s Almost-Comic Works
smoke & mold (May 2023)

Contours, Cartoons, and Other Abstractions (feat. Bhanu Pratap)
SOLRAD (June 2022)

“From An Internet That Still Exists”: An Interview with SUPERPOSE’s Joe and Anka
SOLRAD (June 2022)

Satire, Under These Conditions: Fantagraphics and the Racist Romance of Vitality
SOLRAD (November 2021)

Owl, Ameoba, Eyelash: Anneli Henriksson’s CALIFORNIA
SOLRAD (June 2021)

Circa 198X: Superpose, Science Fiction Histories, and the Trans Child
The Rambling (Nov 2019)

Speculative-Speculative Fiction: Jamie Berrout’s Impossible Trans Literatures
UCLA CSW Blog (Mar 2019)

Superpose‘s Heavy Light: How to Make a World Out of Neon
WWAC (Dec 2018)

Good Vibes Only: The World of Wholesome Queer Erotica (NSFW)
ZEAL (Nov 2018)

You Yourself Are an Obsolete Computer: Reading Carta Monir
WWAC (Sep 2018)

Glitch vs. Abyss: On Queer Sci-Fi Webcomics
Lady Science (Jun 2018)


Good Humor, Bitter Irony: Reviewing “Miné Okubo’s Masterpiece” exhibit at JANM
International Journal of Comic Art Blog (Feb 2022)

Guttermouth: Comics Roundup #3
Anomaly Blog (Mar 2020)

Guttermouth: Comics Roundup #2
Anomaly Blog (Oct 2019)

Soft But Not Precious: The Dream Labors of Annie Mok’s Pink Juice
WWAC (Aug 2019)

Guttermouth: Comics Roundup #1
Anomaly Blog (Jul 2019)

Anthologizing Illness in Shammas’s CORPUS
WWAC (Mar 2019)


On Being Indebted
UCLA CSW Blog (2018)

The Best Lighting for My Body Was at the White Horse Inn and Bar, Oakland, California
Black Warrior Review (2018)